Chan Kiu joined the HKRep in 2012. He was nominated Best Actor (Tragedy/Drama) for his performance in The Abandoned Harbour, Best Supporting Actor (Comedy/Farce) for his performance in Confrontations at the Hong Kong Drama Awards. In 2025, he received Outstanding Lead Actor at the 16^th Hong Kong Theatre Libre for his performance as Kuroki Eisaku in In Between. His major performances included The Diary of Song, Invisible Men (2020), A Winter Funeral, That’s Not True and Landing to Blossom. 
 
Aside from actor, Chan also served as Director in Stay with the Flow, Assistant Director in The Tamed and the Tempted, Moscow Express, Ladies, Bon Voyage – a Cabaret and The Sin Family, action choreographer in In Times of Turmoil and Being Poon Chan Leung, as well as video photographer. His recent productions included The Top Restaurant, Scapin in Jiānghú, Chap. 2024, After Life, The Doctor, Moscow Express and Liu Rushi, my Dear.

 

Before joining the HKRep, Chan was a full-time professional photographer for numerous theatre companies and HKAPA. He was a member of the Drama Gallery. He excels in multiple roles, including Four Thousand Gold (assistant music director), W Theatre’s Love is Shit (movement consultant), Artocrite Theatre’s Monsters (collaborator), Forget Me Not (music) and The Can (co-director), Windmill Grass Theatre’s Sand and a Distant Star and I Love You Because, Chan Kiu x Ronald Movement's Exploration, Theatre Noir’s Animal Farm (in English and Cantonese), Chung Ying Theatre’s Cyrano de Bergerac (actor and musician), the Fringe Club’s Ho Chi Minh in Hong Kong.

 

Chan graduated with honours from the School of Drama, The Hong Kong Academy for Performing Arts, majoring in acting.